![]() These four outputs offer, for example, the possibility for multiple sets of monitor speakers or a main stereo output vs cue/alternative output in a live situation. There are two stereo line outs: one pair with jacks and RCA, plus a further pair of RCAs, specified with the gigging DJ in mind. Rotary gain controls offer level setting, with basic LED metering showing activity and overload for each preamp. On the top panel, two preamps offer 43dB of gain and there’s a single (switchable) instrument input. Switches and controls feel positive, but tend towards being a little flimsy in places and the unit screams out for things to be plugged in to stop it moving around the desktop. Pulling the U-44 out of its box, two things are instantly noticeable: the attractive design of the case and how light in weight the interface is. In addition, two smaller Zoom interfaces in the range will be considered: the U-24 (an interface with fewer in/outs that shares the same case as the U-44) and the U-22 (an ultra-compact interface with a single microphone input). In this review we’ll take a look at the U-44 and two of the optional input accessories. The U-44’s form factor shares similarities with a field recorder too the interface is pitched towards project studios and live/mobile recording, paired with a laptop or iPad, but will perhaps win friends in the location sound industry too. These include X-Y and M-S stereo microphones, a shotgun microphone and a dual mic preamp. ![]() A range of snap-on accessories originally intended for Zoom’s H-series field recorders allow a number of additional options for the remaining two analogue inputs. It’s a four-in/four-out interface with a range of analogue and digital connections, although unusually, only two analogue inputs are available straight out of the box. The U-44 is designed with portability and versatility in mind. More than just an interface, Zoom’s U-44 is expandable via a range of snap-on accessories. The U44 with the optional EXH6 preamp attachment.
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